
RAM GOPAL VARMA –
Film Director
Ram Gopal Varma also known as RGV
or Ramu, completed BE in civil
engineering from V.R.
Siddhartha Engineering College, Vijayawada.
After a brief
stint as a site engineer for Krishna Oberoi hotel in Hyderabad,
he put his dreams on the back burner and decided to go to Nigeria to make some
money. It was at this moment that he visited a video rental library in
Hyderabad. He loved the idea and decided to start one of his own at Ameerpet
in Hyderabad, through which he slowly developed connections with the film world.
Without being successful as a fourth assistant director in B. Gopal's film Collector
Gari Abbai, Varma directly ventured into film direction, with the 1989 Telugu film,
Siva.
Before
Varma started his career in the Telugu film industry, he lingered on the
sets of films such as Collector Gari Abbai and Rao Gaari
Illu. His father Krishnam Raju Varma, was a sound recordist at Annapurna
Studios, Hyderabad which is owned by Akkineni Nageswara Rao. Varma managed to
meet Nagarjuna and narrated a scene to the actor which impressed him.The result of their collaboration was a film on the criminalization of student
politics — Siva. It was a blockbuster with Varma
demonstrating his technical expertise and storytelling skills. The success of
the film in Telugu led to a Hindi remake with similar success.
Varma's
next film was Kshana Kshanam with Venkatesh and Sridevi
which got him noticed by Bollywood critics. It was dubbed into Hindi as Hairaan.
Then he made films such as Raatri and Antham.
While Gaayam
with Jagapathi Babu and Anaganaga Oka Roju with J.D.
Chakravarthy were successful, Govinda
Govinda with Nagarjuna and Sridevi
proved to be a moderate success at the box office. During this period, Varma
produced films such as Money and Money Money and was the screenwriter
for Mani Ratnam's
Tamil movie Thiruda Thiruda.
While
Varma's first successful Hindi film was the remake of Siva. His next film was Drohi. What really put the spotlight on him
was the blockbuster Rangeela.
The film won Filmfare Awards for Rahman and Shroff.
According to Varma, it was dedicated to actress Sridevi.
His next film Daud (1997), however, sank without a trace.
In
1998, Varma was an executive producer for Dil Se..,
directed by Mani Ratnam and starring Shahrukh Khan,
Manisha
Koirala and Preity Zinta. The film won the NETPAC Award for Special
Mention at the Berlin Film Festival, as well as two National Film Awards and six Filmfare
Awards.
In
1998 came his masterpiece, the critically acclaimed Satya,
based on the Mumbai underworld. A script written by Anurag Kashyap and Saurabh
Shukla, music by Vishal
Bharadwaj and Sandeep Chowta, acclaimed performances by J. D. Chakravarthy, Manoj Bajpai
and Urmila Matondkar, and Anurag Kashyap's
screenwriting brilliance, contributed to a landmark. The film won six Filmfare
Awards, including the Critics Award for Best Film.
In
2002 came his commercial as well as critical success, Company,
again set against the backdrop of the Mumbai underworld, in which he cut off
the song-and-dance sequences, common in Bollywood films at the time. It was
based on the real-life underworld organization, the D-Company.
It won seven Filmfare Awards and earned him a Filmfare Best Director Award nomination. Malayalam
actor Mohanlal
debuted in Bollywood doing an extended cameo in this film.
A
prequel to Company was made in 2005: D,
produced by Varma and directed by Vishram Sawant. Satya, Company
and D are together considered an "Indian gangster trilogy".Satya
and Company, in particular, were cited by British director Danny Boyle
as influences on his Academy Award-winning film Slumdog Millionaire (2008), for their
"slick, often mesmerizing portrayals of the Mumbai
underworld", their display of "brutality and urban
violence", and their gritty realism.
During
the years between his trilogy, from Satya
in 1998 to D in 2005, Varma
experimented with different film genres. In 1999, he directed Kaun,
a suspense
thriller set entirely in one house and
featuring only three actors, and Mast,
a subversion of the Hindi cinema's masala genre. In 2000, he directed Jungle, set entirely in a jungle, for
which he was nominated for the Star Screen Award for Best Director.
Following
the success of Company in 2002, Varma's next film as
director was Bhoot (2003), a psychological horror film,
which was a major success. It starred Ajay Devgan
and Urmila Matondkar, who earned a number of awards
for her performance. Varma himself was nominated for the Filmfare Best Director Award for the film.
Following
the success of Bhoot, Varma produced two other experimental films: Sriram
Raghavan's Ek Hasina Thi (2003), a psychological thriller, and Shimit Amin's
Ab Tak Chhappan (2004), a film about an
inspector in the Mumbai Encounter Squad famous for having killed
56 people in police encounters.
Varma's
next film as director was Sarkar,
released in June 2005, starring Amitabh
Bachchan and his son Abhishek.
Amitabh played the character of Sarkar who is a self-righteous and powerful
businessman and social worker, while Abhishek played his son. Sarkar was
a loose adaptation of Mario Puzo's 1969 novel The Godfather. Sarkar went on
to become a critically acclaimed venture.
In
2007, he directed Nishabd, followed by the ambitious Sholay
remake, Ram Gopal Varma Ki Aag, as well as Darling. He was written off by the
media and public until June 2008, when he reclaimed, to some extent, his lost
reputation with his much hyped venture, Sarkar Raj,
a sequel to Sarkar; it was an average and met with good reviews. The
primary cast featured Amitabh and Abhishek Bachchan reprising their roles from
the prequel alongside Aishwarya Rai Bachchan. Supriya
Pathak, Tanisha Mukherjee and Ravi Kale reappeared in
their respective roles from Sarkar.
Phoonk (2008) was another horror film
which was a success compared to its minuscule budget. Agyaat,
which released on 7 August 2009, was again a commercial as well as critical
failure. Next was Rann,
a film about the media. It had Amitabh
Bachchan, Kannada actor Sudeep, Ritesh Deshmukh and Paresh Rawal.
Released on 29 January 2010, it was praised by some critics but was a
commercial disaster. Then he began the promotion works for Phoonk 2,
a sequel of Phoonk, which was released on April 16, 2010.
Next
came Rakta Charitra, in Telugu, Tamil and Hindi
languages. The movie was based upon the faction backdrop of the Rayalaseema
in Andhra Pradesh. As it lasted about five hours, the film was released in two
parts, with a gap of three months. It depicts the life of slain political
leader Paritala Ravindra, played by Vivek Oberoi,
with Tamil actor Surya Sivakumar, enacting the role of
Maddelacheruvu Suri, Shatrughan Sinha, Radhika Apte
and Priyamani
star in other pivotal roles. The film released to a good opening following
Varma's clever pre-release marketing using the controversy surrounding the main
characters to his advantage.
Varma
roped in Amitabh Bachchan for the lead role in his film Department, the plot of which revolved
around the internal politics of the police department. He was quoted saying
that this film may be considered as "the other side of Company."
Sanjay Dutt
and Rana
Daggubati are reportedly going to play supporting roles,
nevertheless the entire film revolves around them. It was a much anticipated
collaboration of Sanjay Dutt with the director after their earlier venture Daud.
Varma's
recent flick The Attacks of 26/11 received huge
critical acclaim for its brilliant portrayal of the real life terrorist attack
on Mumbai which happened on 26 November 2008. His upcoming film Naanthan Da marks his
directional debut in Tamil cinema.
As Author:
Varma
wrote an autobiography titled Na Ishtam, which discusses his thoughts,
opinions and ramu style philosophy.'Naa Ishtam' was released on December 2010
at Taj Banjara, Hyderabad. Vijayawada MP and RGV's friend Lagadapati Rajagopal
launched the book.
His cinematic works include:
Year
|
Film
|
Language
|
Director
|
Producer
|
Writer
|
|
1989
|
Yes
|
Yes
|
|
|||
1990
|
Yes
|
|
||||
1991
|
Telugu
|
Yes
|
Yes
|
|
||
1992
|
Telugu/Hindi bilingual film
|
Yes
|
Yes
|
|
||
1992
|
Hindi/Telugu bilingual film
|
Yes
|
Yes
|
Yes
|
|
|
1993
|
Telugu
|
Yes
|
Yes
|
|
||
1993
|
Telugu
|
Yes
|
|
|||
1994
|
Telugu
|
Yes
|
Yes
|
|
||
1994
|
Tamil
|
Yes
|
|
|||
1995
|
Hindi
|
Yes
|
Yes
|
Yes
|
|
|
1995
|
Telugu
|
Yes
|
|
|||
1996
|
Telugu
|
Yes
|
Yes
|
|
||
1996
|
Telugu
|
Yes
|
|
|||
1997
|
Telugu
|
Yes
|
Yes
|
Yes
|
|
|
1997
|
Hindi
|
Yes
|
Yes
|
|
||
1998
|
Hindi
|
Yes
|
Yes
|
|
||
1998
|
Hindi
|
Yes
|
|
|||
1998
|
Telugu
|
Yes
|
|
|||
1999
|
Telugu
|
Yes
|
|
|||
1999
|
Hindi
|
Yes
|
|
|||
1999
|
Hindi
|
Yes
|
|
|||
1999
|
Hindi
|
Yes
|
Yes
|
|
||
2000
|
Hindi
|
Yes
|
|
|||
2001
|
Hindi
|
Yes
|
|
|||
2001
|
Hindi
|
Yes
|
|
|||
2002
|
Hindi
|
Yes
|
|
|||
2002
|
Hindi
|
Yes
|
|
|||
2003
|
Hindi
|
Yes
|
|
|||
2003
|
Hindi
|
Yes
|
|
|||
2003
|
Hindi
|
Yes
|
|
|||
2004
|
Hindi
|
Yes
|
|
|||
2004
|
Hindi
|
Yes
|
|
|||
2004
|
Hindi
|
Yes
|
|
|||
2004
|
Hindi
|
Yes
|
Yes
|
|
||
2004
|
Telugu
|
Yes
|
|
|||
2004
|
Telugu
|
Yes
|
|
|||
2005
|
Hindi
|
Yes
|
|
|||
2005
|
Hindi
|
Yes
|
|
|||
2005
|
Hindi
|
Yes
|
|
|||
2005
|
Hindi
|
Yes
|
|
|||
2005
|
Hindi
|
Yes
|
Yes
|
|
||
2005
|
Hindi
|
Yes
|
|
|||
2006
|
Hindi
|
Yes
|
|
|||
2006
|
Telugu
|
Yes
|
Yes
|
|
||
2006
|
Hindi
|
Yes
|
Yes
|
|
||
2006
|
Hindi
|
Yes
|
Yes
|
|
||
2007
|
Hindi
|
Yes
|
Yes
|
|
||
2007
|
Hindi
|
Yes
|
Yes
|
Yes
|
|
|
2007
|
Hindi
|
Yes
|
|
|||
2007
|
Telugu
|
Yes
|
|
|||
2008
|
Hindi
|
Yes
|
Yes
|
Yes
|
|
|
2008
|
Hindi
|
Yes
|
|
|||
2008
|
Hindi
|
Yes
|
|
|||
2009
|
Hindi/Telugu bilingual film
|
Yes
|
Yes
|
|
||
2010
|
Hindi
|
Yes
|
|
|||
2010
|
Hindi, Telugu
|
Yes
|
|
|||
2010
|
Hindi
|
Yes
|
|
|||
2011
|
Telugu
|
Yes
|
Yes
|
|
||
2011
|
Telugu
|
Yes
|
|
|||
2011
|
Telugu
|
Yes
|
Yes
|
|
||
2011
|
Hindi
|
Yes
|
|
|||
2012
|
Hindi
|
Yes
|
|
|||
2012
|
Hindi
|
Yes
|
|
|||
2013
|
Hindi
|
Yes
|
Yes
|
|
||
2013
|
Telugu
|
Yes
|
Yes
|
|
||
2013
|
Hindi
|
Yes
|
|
|||
2013
|
Hindi
|
Yes
|
|
|||
2013
|
Yes
|
|
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