SOUMITRA
CHATTERJEE - Film Actor
Soumitra
Chatterjee ( Soumitra Chattopadhyay) was born on 19 January 1935 in
Krishnanagar in West Bengal, 100 km from Calcutta, in 1935. Soumitra and
his family moved to Howrah and Calcutta during his early years. Soumitra
graduated from the Presidency College, Kolkata with honours
in Bengali literature. He has lived for a number of years in Calcutta in
Satyajit Ray's old apartment. He studied for his M.A. in Bengali from the University of Calcutta. He worked in All India
Radio before pursuing a career in films.
Even before his film career, budding poet
Soumitra had approached Satyajit Ray to suggest a name, and illustrate
the cover page for a little magazine which was edited by Soumitra. Satyajit Ray
had named the magazine Ekshon (Now), and illustrated the cover pages regularly
even after Soumitra had stopped editing the magazine.
Soumitra's film debut came in 1959 in Satyajit Ray's
The World of Apu. As noted on the official
website for Ray, "At that time, Soumitra Chatterjee was a radio announcer
and had only played a small role in a Bengali stage production." Soumitra
would eventually collaborate with Ray on fourteen films. His centrality to
Ray's work is akin to other key collaborations in the history of cinema — Mifune
and Kurosawa,
Mastroianni and Fellini,
De Niro
and Scorsese, DiCaprio
and Scorsese, Max von Sydow
and Ingmar
Bergman, Jerzy Stuhr and Kieślowski. He also worked with Sharmila
Tagore in a number of Ray films.
Chatterjee was cast in diverse roles by Ray and
some of the stories and screenplays that Ray wrote were said to be written with
him in mind. Soumitra featured as Feluda/Pradosh
Chandra Mitter, the famous private investigator from Calcutta in Ray's Feluda
series of books, in two films in the 1970s Sonar Kella
and Joy Baba Felunath. Ghare Baire, an adaptation of Rabindranath Tagore's novel of the same
name and one of Ray's major ventures of the 1980s, featured Chatterjee in a
leading role in the character of a radical revolutionary in a love triangle
with his friend's wife. These roles showcased Chatterjee's versatility in
playing diverse characters, especially in an urban setting. In Shakha
Proshakha, Chatterjee turns out a moving performance in the role
of a mentally handicapped son of an aging patriarch on his deathbed and the
only source of his father's solace, as his siblings squabble.
Besides working with Ray, Soumitra excelled in
collaborations with other well-known Bengali
directors such as Mrinal Sen and Tapan Sinha.
He earned critical acclaim for his role of an impostor in Mrinal Sen's
Akash Kusum.
He was equally confident in playing the swashbuckling horse-riding villain in Sinha's Jhinder Bandi
giving the legendary Uttam Kumar a tough challenge. In Teen Bhubaner Pare, he again shared the
screen with the beautiful Tanuja, and his flamboyant and peppy way of romance.
Since November 2010, he has been regularly performing
in the title role of the play Raja Lear directed by Suman Mukhopadhyay, a play based on King Lear
by William Shakespeare. Soumitra has received
widespread critical and popular accolades for his acting in the play.
A living legend on his own terms, Soumitra has
received the 'Officier des Arts et Metiers', the highest
award for arts given by the French government, and a Lifetime Achievement Award from Italy. He turned down the
honorary Padma Shri
award from the Indian government in the 1970s; in 2004, he accepted the
prestigious Padma Bhushan award from the President of India. He has been the subject of
a full-length documentary named Gaach by French film
director Catherine Berge.
In a gesture of protest against the National Film Awards committee's bias in awarding popular and
mainstream cinema, he turned down the 2001 Special Jury Award for Best Actor.
However, on 9 June 2008, he was awarded the 2007 National Film Award for Best Actor
by the Government of India. On 3 May 2012, he was
selected by the Government of India to be honoured with the Dadasaheb Phalke Award, India's highest
award in cinema given annually by the Government of India for lifetime contribution
to Indian cinema.
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